Philosophy of the Arts: An Introduction to AestheticsPsychology Press, 2000 - 224 strani This work is an expanded and updated new edition of this textbook. It presents a comprehensive introduction to those coming to aesthetics and the philosophy of art for the first time. Two entirely new sections are presented on digital music and environmental aesthetics and all other chapters have been thoroughly revised and brought up-to-date. As with the first edition, the book: is written in a wholly untechnical style and appeals to students of music, art history and literature as well as philosophy; looks at a wide range of the arts from film, painting and architecture to fiction, music and poetry; discusses a range of philosophical theories of thinkers such as Hume, Kant, Habermas, Collingwood, Derrida, Hegel and Schopenhauer; contains regular summaries and suggestions for further reading; and now includes two new sections on digital music and environmental aesthetics. |
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ART AND PLEASURE | 4 |
Mill and pleasure | 6 |
Kant and beauty | 12 |
Gadamer and art as play | 15 |
Art and sport | 19 |
Summary | 22 |
ART AND EMOTION | 24 |
Croce and intuition | 30 |
Montage versus long shot | 107 |
Talkies | 110 |
The auteur in film | 112 |
Summary | 115 |
POETRY AND PARAPHRASE | 116 |
The unity of form and content | 119 |
Figures of speech | 120 |
Expressive language | 122 |
Collingwoods expressivism | 33 |
Expression versus expressiveness | 36 |
Summary | 42 |
ART AND UNDERSTANDING | 44 |
Art and knowledge | 45 |
Aesthetic cognitivism | 48 |
Art as understanding | 49 |
Imagination and experience | 52 |
The objects of imagination | 56 |
Art and the world | 58 |
Understanding as a norm | 61 |
Art and human nature | 63 |
Summary | 64 |
MUSIC AND MEANING | 66 |
Music and pleasure | 67 |
Music and emotion | 70 |
Music as language | 73 |
Music and representation | 76 |
Musical vocabulary and musical grammar | 78 |
Résumé | 81 |
The uniqueness of music | 82 |
Music and beauty | 83 |
Music as the exploration of sound | 85 |
The implications of digital technology | 87 |
Summary | 91 |
FROM PAINTING TO FILM | 93 |
What is representation? | 94 |
Representation and artistic value | 95 |
Art and the visual | 98 |
Visual art and the nonvisual | 102 |
Film as art | 106 |
Poetic devices | 124 |
Narrative and fiction | 129 |
Literature and understanding | 133 |
Summary | 135 |
ARCHITECTURE AS AN ART | 137 |
Form and function | 141 |
Fagade deception and the Zeitgeist | 143 |
Functionalism | 146 |
Formalism and space | 148 |
Architectural expression | 150 |
Architecture and understanding | 151 |
Summary | 153 |
EVALUATION AND THE AESTHETICS OF NATURE | 155 |
Art and interpretation | 159 |
The artists intention and the intentional fallacy | 163 |
The aesthetics of nature | 168 |
Summary | 174 |
THEORIES OF ART | 176 |
Art as an institution | 183 |
Marxism and the sociology of art | 185 |
LéviStrauss and structuralism | 191 |
Derrida deconstruction and postmodernism | 193 |
Normative theory of art | 199 |
Summary | 203 |
EXAMPLES | 206 |
Film and television | 207 |
Music | 208 |
Paintings and sculpture | 209 |
| 211 | |
| 215 | |
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absolute music abstract abstract expressionism aesthetic judgement amusement appreciation architecture argument Aristotle art forms art world artistic audience beauty building called chapter character claim cognitivism cognitivist Collingwood complexity conception criticism definition of art Derrida describe distinction E. H. Gombrich emotion example explain explore expression expressivism expressivist fact feeling film form and function Gadamer George Dickie give human experience idea images imagination important instance interpretation Kant language literary literature Marxist matter means merely mind nature normative normative philosophy novel object painter painting philosophical aesthetics philosophy of art photograph piece of music play pleasure poem poetic poetry possible purpose question R. G. Collingwood reality reason reference regarded representation representationalism Roger Scruton seems sense significance social sort sound source of understanding speak sport structure T. S. Eliot taste theory of art things thought tion true truth value of art visual art words