The spirit and substance of artF.S. Crofts & Company, 1931 - 484 strani |
Iz vsebine knjige
Zadetki 1–3 od 51
Stran 74
... allow the release of energy for play . Man turns aside to the contemplative and decorative uses of life ; and a detached aesthetic consciousness emerges . This process of aesthetic indirection implies ( 1 ) the changing of work into ...
... allow the release of energy for play . Man turns aside to the contemplative and decorative uses of life ; and a detached aesthetic consciousness emerges . This process of aesthetic indirection implies ( 1 ) the changing of work into ...
Stran 116
... allow themselves to fall . Again , in Elkan's Heldenklage , a huge figure hewn from granite , the geometrical figure , a cube , is not allowed to absorb and annul kinetic and psychic values . THE CREATION OF A SEMBLANCE OF ORGANIC LIFE ...
... allow themselves to fall . Again , in Elkan's Heldenklage , a huge figure hewn from granite , the geometrical figure , a cube , is not allowed to absorb and annul kinetic and psychic values . THE CREATION OF A SEMBLANCE OF ORGANIC LIFE ...
Stran 402
... allow us to throw aside censorship without further thought . Each of the great human interests has a legitimate and necessary place in a complete life ; each is entitled to strike blows in its own defence . When art in its concrete ...
... allow us to throw aside censorship without further thought . Each of the great human interests has a legitimate and necessary place in a complete life ; each is entitled to strike blows in its own defence . When art in its concrete ...
Vsebina
The Field of Aesthetics | 3 |
The Methods of Aesthetics | 15 |
The Origins of | 24 |
Avtorske pravice | |
12 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
Aeschylus aesthetic aesthetic types aesthetician aims appears architecture artist Banister Fletcher beauty become body Cézanne character color comedy comic complex conscious contrast creative cubist dance decorative distortion drama effects emotional enjoy enjoyment experience expression expressionism expressionistic feeling force gained give Greek harmony Hegel human ideal ideas imaginative impression impulses individual intensity interest interpretation John Brown's Body laughter light lines living mark mass material means melody method modern mood moral motor move movement nature objects offers painter painting patterns phantasy picture play pleasure poem poet poetry post-expressionism problems program music psychic Psychology of Beauty pure pure moods purpose relation reshaping response reveals rhythm rhythmic Rodin romanticism sculpture sense shaping shows simple Sketch social space spirit Strange Interlude sublime surfaces sympathetic technique theory things thought tion tive tragedy tragic ture unity Vachel Lindsay values verism verse vision visual