What Is Non-fiction Cinema?Avalon Publishing, 13. maj 1999 - 312 strani In What Is Non-Fiction Cinema? Trevor Ponech has written a serious and pathbreaking study of how to define “non-fiction” cinema. Working from the position that no cinematic representation is wholly factual, Ponech argues that what determines whether a film is fiction or non-fiction is the filmmaker's intention. Persuasively defending this unique position, the author provides a philosophically rigorous analysis of the communicative practices of filmmakers. In making his case, Ponech cogently presents the other major theoretical positions regarding documentary cinema and shows why each is incomplete. The result is a cutting-edge philosophical inquiry into purposiveness in film. |
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Zadetki 1–3 od 72
Stran 100
... attitude consists of his being settled upon X - ing . At present my strongest desire is to watch reruns on TV , yet what I in- tend to do is finish this paragraph , even though I really do not feel much like writing at the moment ...
... attitude consists of his being settled upon X - ing . At present my strongest desire is to watch reruns on TV , yet what I in- tend to do is finish this paragraph , even though I really do not feel much like writing at the moment ...
Stran 148
... attitude toward certain states of affairs , objects , situations , events , propo- sitions , and so forth , where the relevant states of affairs and so on need not actually exist . Looking at and listening to the movie , one discovers ...
... attitude toward certain states of affairs , objects , situations , events , propo- sitions , and so forth , where the relevant states of affairs and so on need not actually exist . Looking at and listening to the movie , one discovers ...
Stran 159
... attitude toward the content . ... n Some plans with respect to force are temporally mixed . They specify a sequence ... attitude of belief toward its content . But in a second moment , in light of newly available information , we are to ...
... attitude toward the content . ... n Some plans with respect to force are temporally mixed . They specify a sequence ... attitude of belief toward its content . But in a second moment , in light of newly available information , we are to ...
Vsebina
What Is NonFiction Cinema? | 8 |
Representation and Depiction | 40 |
What About Reality? | 73 |
Avtorske pravice | |
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action activities actual affairs agent appearance assertion attitude audience beliefs camera causal cinematic claim cognitive communicative concept condition consists constative constraints course definition depends depiction describe desire determinant documentary effects epistemic evidence example existence expect experience expressed external facts fiction film filmmaker Flaherty footage force function give given goal Hence idea illocutionary imaginary imagine indicate individual instance intentions interpretation kind knowledge less linguistic look makers meaning mental mind motion picture motivated movie movie's Nanook narrative natural non-fiction object observable Oliver Stone particular perception person photographic plans position practical present production properties question reality reasoning recognize recording refer regarding relation represent representation respect result scene sense sensory shot significance situation social sort spectators structure theory things tion true truth Type University Press various viewers visible visual work's