Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
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Zadetki 1–3 od 49
Stran 207
... emotional appre- hension of the awe and loveliness of pure naked abstrac- tions ; but neither the substance nor the shaping of the poem creates any feeling of emotional or intellectual in- tensity at all . There is a general emotional ...
... emotional appre- hension of the awe and loveliness of pure naked abstrac- tions ; but neither the substance nor the shaping of the poem creates any feeling of emotional or intellectual in- tensity at all . There is a general emotional ...
Stran 216
... emotional coloring , by their power of direct or indirect suggestion and reverbera- tion , by their richness and fertility of significance and scope . This inevitably means that the poem is difficult . It can communicate much without an ...
... emotional coloring , by their power of direct or indirect suggestion and reverbera- tion , by their richness and fertility of significance and scope . This inevitably means that the poem is difficult . It can communicate much without an ...
Stran 264
... emotional coloring and implica- tion which can afford to dispense with any logical state- ment or further definition . They are illustrations in brief of the logic of the imagination . Like the Metaphysicals , too , the moderns will ...
... emotional coloring and implica- tion which can afford to dispense with any logical state- ment or further definition . They are illustrations in brief of the logic of the imagination . Like the Metaphysicals , too , the moderns will ...
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achieve artist attitude Auden beauty Berkeley Berkeley Berkeley CALIFORNIA LIBRARY century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dead death dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore means medium memory ment mind modern poetry mood movement nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth UNIVERSITY OF CALIFORNIA verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats