Arts and Artists from an Economic PerspectiveUnesco, 2002 - 312 strani This book examines the relationship between the fine arts and economics: the contribution of various art forms toward economic growth and development, and the impact of economic factors on the creation of art. Xavier Greffe identifies the economic factors that can affect the emergence, success and disappearance of artistic activities. He begins with an analysis of the art market, where the players cannot be measured by standard economic yardsticks. Users are initially unaware of the kind of satisfaction they can gain from unknown works of art; producers do not know whether their upfront costs in the commissioning of new art and design will be covered and artists are, in turn, more interested in creating than in producing specifically defined works on demand. The author explores then the various dynamics that influence the development of the artistic sector: a revolving compromise between heritage and creation, a continuous passage between an original work of art and the products of cultural industries and a constant shift between for-profit and nonprofit institutions. Greffe provides a way to evaluate art from an economic perspective, one that explains both the creation and development of creative movement, without judging the existence of works of art purely in terms of economic logic. |
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Zadetki 1–3 od 58
Stran 100
... necessary to know if the consumers will accept a change in the prices . Prices make the management aware of its responsibilities , since it is in its interest to ensure that its services are the best possible ser- vices provided at the ...
... necessary to know if the consumers will accept a change in the prices . Prices make the management aware of its responsibilities , since it is in its interest to ensure that its services are the best possible ser- vices provided at the ...
Stran 114
... necessary to define a project and look for a partic- ular skill at the same time in the market and this is not concerned with the period of activity but with the type of talent required for a particular activity . If the specific skill ...
... necessary to define a project and look for a partic- ular skill at the same time in the market and this is not concerned with the period of activity but with the type of talent required for a particular activity . If the specific skill ...
Stran 181
... necessary to recover their sunk costs , which are usually very high , by covering as wide a mar- ket as possible through a diverse network of outlets and portals . Although their production may be handled by several enterprises , the ...
... necessary to recover their sunk costs , which are usually very high , by covering as wide a mar- ket as possible through a diverse network of outlets and portals . Although their production may be handled by several enterprises , the ...
Vsebina
The economic footprints of the arts | 7 |
its economic aspect | 19 |
its social aspect | 26 |
Avtorske pravice | |
27 preostalih delov ni prikazanih
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according aesthetic American analysis areas artistic activities audience audio-visual become cent centre Charles Pathé cinema collective companies consumers consumption contemporary contingent valuation contract copies cost countries create creation creative Cultural Economics cultural industries cultural pessimism cultural tourism culturel decided demand Disney distribution earnings effects enterprises example exhibition factors field film industry Flâneur France French funds give Greffe heritage his/her Idem income increase institutions interest Internet investments Khakee large number Louvre Museum major ment monuments museum Napster netizens nomic objects oligopolies organized painting Paris performing arts period person plastic arts possible problem production profit programmes protection reference renovation result rise role sector shows skills social strategy subsidies sumers sunk costs television theatre tion tourists traditional types University of Paris users visitors