Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
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Zadetki 1–3 od 67
Stran 136
... argued that it is also possible to interpret the right half of the picture as an example of cognitive realism . In other words , the idea is then that the artist has not depicted the sea as it would appear to a normal beholder ...
... argued that it is also possible to interpret the right half of the picture as an example of cognitive realism . In other words , the idea is then that the artist has not depicted the sea as it would appear to a normal beholder ...
Stran 141
... arguments offered by Wollheim ( and the various sub - arguments used to support the last main argument ) do not prove ... argued already , otherwise we would be caught in an infinitive regress . We observe certain lines or brushstrokes ...
... arguments offered by Wollheim ( and the various sub - arguments used to support the last main argument ) do not prove ... argued already , otherwise we would be caught in an infinitive regress . We observe certain lines or brushstrokes ...
Stran 164
... argued that this microcosm at the same time is genetically or causally dependent on the macrocosm . Then it is , it seems to me , difficult to talk about autonomy without being misleading , considering that one of the basic meanings of ...
... argued that this microcosm at the same time is genetically or causally dependent on the macrocosm . Then it is , it seems to me , difficult to talk about autonomy without being misleading , considering that one of the basic meanings of ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim