Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
Iz vsebine knjige
Zadetki 1–3 od 68
Stran 72
... conception , according to which the aesthetic value may or may not be a component of artistic value . It should ... conception ( B ) . But art is , as Joseph Margolis has stressed several times , a cultural phenomenon ; works of art ...
... conception , according to which the aesthetic value may or may not be a component of artistic value . It should ... conception ( B ) . But art is , as Joseph Margolis has stressed several times , a cultural phenomenon ; works of art ...
Stran 119
Göran Hermerén. In describing the levels of interaction , I used the word " conception ” a couple of times . In the next section some conceptions of conception will be discussed . An attempt will also be made to apply them to description ...
Göran Hermerén. In describing the levels of interaction , I used the word " conception ” a couple of times . In the next section some conceptions of conception will be discussed . An attempt will also be made to apply them to description ...
Stran 121
... conception of X is defined in terms of the properties A knows or believes that X has . But I am anxious to stress that this crude definition can be modified in several directions . It is perhaps not necessary to stress that the artist's ...
... conception of X is defined in terms of the properties A knows or believes that X has . But I am anxious to stress that this crude definition can be modified in several directions . It is perhaps not necessary to stress that the artist's ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim