Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
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Zadetki 1–3 od 47
Stran 67
... context ? By making a few distinctions in the reply to each of these questions , and by then combining them , it will be possible to clarify the idea of relevance — as well as various conceptions of the artist as a prophet , as a ...
... context ? By making a few distinctions in the reply to each of these questions , and by then combining them , it will be possible to clarify the idea of relevance — as well as various conceptions of the artist as a prophet , as a ...
Stran 102
... context should also be stressed . The historical context is not a " brute fact " , to use G. E. M. Anscombe's terminology ; it is ( re ) constructed by historians in a certain intellectual and historical situation on the basis of clues ...
... context should also be stressed . The historical context is not a " brute fact " , to use G. E. M. Anscombe's terminology ; it is ( re ) constructed by historians in a certain intellectual and historical situation on the basis of clues ...
Stran 110
... context ; familiarity with the conventions and the historical situation does not , or at least not always , settle the issue . For example , a rose can be a symbol of love , friendship , brevity of life , and several other ideas . If a ...
... context ; familiarity with the conventions and the historical situation does not , or at least not always , settle the issue . For example , a rose can be a symbol of love , friendship , brevity of life , and several other ideas . If a ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim