Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
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Zadetki 1–3 od 65
Stran 83
... course , regularities can be observed in the sense that we can see that people often or always perform certain actions when they are in situations of a specific type . For instance , we can notice that people do not drive against a red ...
... course , regularities can be observed in the sense that we can see that people often or always perform certain actions when they are in situations of a specific type . For instance , we can notice that people do not drive against a red ...
Stran 94
... course raises the problem about the identity of the work ) . Hence the interest of Phenomenologists in the reading / viewing process and the close connection between Phenomenology and Reception aesthetics.3 34 If we want to analyze ...
... course raises the problem about the identity of the work ) . Hence the interest of Phenomenologists in the reading / viewing process and the close connection between Phenomenology and Reception aesthetics.3 34 If we want to analyze ...
Stran 187
... course , I do not mean to suggest that everything that is true of art is true of aesthetics ( art is exhibited in museums , aesthetics is not ) . What I mean to suggest is only that what is true of both art and philosophy concerning ...
... course , I do not mean to suggest that everything that is true of art is true of aesthetics ( art is exhibited in museums , aesthetics is not ) . What I mean to suggest is only that what is true of both art and philosophy concerning ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim