Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
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Zadetki 1–3 od 29
Stran 35
... cultural setting of these works will then be dismissed as irrelevant . If , however , works of art are not regarded as autonomous but rather , in some more or less direct way , are thought to be determined by e.g. economic and social ...
... cultural setting of these works will then be dismissed as irrelevant . If , however , works of art are not regarded as autonomous but rather , in some more or less direct way , are thought to be determined by e.g. economic and social ...
Stran 44
... cultural practices in our society . The artistic traditions , codes and conventions have both a cultural and a social dimension . They help to define the cultural setting in which specific artworks were created . Moreover , the fact ...
... cultural practices in our society . The artistic traditions , codes and conventions have both a cultural and a social dimension . They help to define the cultural setting in which specific artworks were created . Moreover , the fact ...
Stran 72
... cultural phenomenon ; works of art " cannot be identified as such except in a cultural context " .38 So perhaps in different cultural contexts different conceptions are valid . No doubt , if we move back in time to Victorian society in ...
... cultural phenomenon ; works of art " cannot be identified as such except in a cultural context " .38 So perhaps in different cultural contexts different conceptions are valid . No doubt , if we move back in time to Victorian society in ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim