Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
Iz vsebine knjige
Zadetki 1–3 od 62
Stran 15
... discussed shortly . In the latter sense value judgments are used to assert or deny that something has value or is valuable in one way or another . I shall here use it in the latter sense . Those who are instrumentalists in aesthetics ...
... discussed shortly . In the latter sense value judgments are used to assert or deny that something has value or is valuable in one way or another . I shall here use it in the latter sense . Those who are instrumentalists in aesthetics ...
Stran 51
... discussed by scholars like Beardsley , Betti , Dilthey , Hirsch , Ingarden , Kris & Kaplan , Olsen , Staiger and Stevenson , representing very different theoretical orientations . Attempts to distinguish between aesthetic and artistic ...
... discussed by scholars like Beardsley , Betti , Dilthey , Hirsch , Ingarden , Kris & Kaplan , Olsen , Staiger and Stevenson , representing very different theoretical orientations . Attempts to distinguish between aesthetic and artistic ...
Stran 214
... discussed by many scholars.62 Marx's interpretation of aesthetic value has also been discussed by aestheticians in the West.63 Plekhanov suggested two criteria of evaluation : the harmony of an idea and its form , and the truthfulness ...
... discussed by many scholars.62 Marx's interpretation of aesthetic value has also been discussed by aestheticians in the West.63 Plekhanov suggested two criteria of evaluation : the harmony of an idea and its form , and the truthfulness ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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Pogosti izrazi in povedi
aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim