Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
Iz vsebine knjige
Zadetki 1–3 od 67
Stran 16
... distinguish between ( 1 ) epistemic problems concerning the picture as a source of knowledge about reality , ( 2 ) aesthetic and artistic problems concerning the picture as expression of thoughts and feelings , ( 3 ) moral and political ...
... distinguish between ( 1 ) epistemic problems concerning the picture as a source of knowledge about reality , ( 2 ) aesthetic and artistic problems concerning the picture as expression of thoughts and feelings , ( 3 ) moral and political ...
Stran 64
... distinguish between a number of main senses of " art " each of which can be analyzed further . For want of better labels I pro- pose to call some of them ( 1 ) the capacity sense , ( 2 ) the subject - matter sense and ( 3 ) the result ...
... distinguish between a number of main senses of " art " each of which can be analyzed further . For want of better labels I pro- pose to call some of them ( 1 ) the capacity sense , ( 2 ) the subject - matter sense and ( 3 ) the result ...
Stran 279
... distinguish between seeing as a physiological and as a psychological phenomenon . Suppose » seeing » is used to refer to the physio- logical processes ( causal transactions involving light rays and our sensory apparatus ) that take ...
... distinguish between seeing as a physiological and as a psychological phenomenon . Suppose » seeing » is used to refer to the physio- logical processes ( causal transactions involving light rays and our sensory apparatus ) that take ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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Pogosti izrazi in povedi
aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim