Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
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Zadetki 1–3 od 78
Stran 73
... kind proposed here can be helpful in dis- cussions of the value of art . They also make it easier to understand why a van Meegeren - Vermeer ( though it is not an imitation of any particular painting by Vermeer , only an imitation of ...
... kind proposed here can be helpful in dis- cussions of the value of art . They also make it easier to understand why a van Meegeren - Vermeer ( though it is not an imitation of any particular painting by Vermeer , only an imitation of ...
Stran 118
... kind that everyone can grasp the image provided he looks at the analogue " .54 If X is a material analogue of Y , there has to be some kind of resemblance between X and Y. If this is correct , it would seem that Sartre's theory is based ...
... kind that everyone can grasp the image provided he looks at the analogue " .54 If X is a material analogue of Y , there has to be some kind of resemblance between X and Y. If this is correct , it would seem that Sartre's theory is based ...
Stran 257
... kind of problem in the manner of one's colleagues is of course a choice . My point is simply that these choices - fundamental and inevitable in any empirical inquiry — are guided by or based on premises of a non - empirical kind i.e. ...
... kind of problem in the manner of one's colleagues is of course a choice . My point is simply that these choices - fundamental and inevitable in any empirical inquiry — are guided by or based on premises of a non - empirical kind i.e. ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim