Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
Iz vsebine knjige
Zadetki 1–3 od 29
Stran 146
... moral , political , religious ) interests and changes in society Art is an end in itself — its value is intrinsic ( as supposed e.g. in the doctrines " l'art pour l'art " ) and not instrumental Dependence Art is created only as a result ...
... moral , political , religious ) interests and changes in society Art is an end in itself — its value is intrinsic ( as supposed e.g. in the doctrines " l'art pour l'art " ) and not instrumental Dependence Art is created only as a result ...
Stran 173
... moral , political and religious ones when works of art are to be evaluated . Whether the last two theses are reasonable is not merely of a theoretical interest , since these theses also have obvious implications for cultural and ...
... moral , political and religious ones when works of art are to be evaluated . Whether the last two theses are reasonable is not merely of a theoretical interest , since these theses also have obvious implications for cultural and ...
Stran 175
... moral , or religious authority telling artists what to do and how to do it , or forbidding them to choose certain motifs , means of expression , and so forth . Paul Klee's personal experiences in Germany - if I may continue to use him ...
... moral , or religious authority telling artists what to do and how to do it , or forbidding them to choose certain motifs , means of expression , and so forth . Paul Klee's personal experiences in Germany - if I may continue to use him ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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Pogosti izrazi in povedi
aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim