Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
Iz vsebine knjige
Zadetki 1–3 od 48
Stran 52
... nature of aesthetic experience is supposed to be the key problem in aesthetics , and experiences are studied by psychologists , the conclusion seems inescapable that aesthetics is but a branch of psycho- logy . If , on the other hand ...
... nature of aesthetic experience is supposed to be the key problem in aesthetics , and experiences are studied by psychologists , the conclusion seems inescapable that aesthetics is but a branch of psycho- logy . If , on the other hand ...
Stran 138
... natural when it is easy to tell exactly what lines and spots are seen as something else , and that the seeing- in idiom is more natural when these sustaining features are more difficult to localize . But I would not want to turn this ...
... natural when it is easy to tell exactly what lines and spots are seen as something else , and that the seeing- in idiom is more natural when these sustaining features are more difficult to localize . But I would not want to turn this ...
Stran 187
... nature and function of aesthetic theory according to Marxists ? The procedure in attempting to answer that question ... nature of aesthetic theories , where in a similar 2 Göran Hermerén , " The Nature of Aesthetic Theories " , in Lars ...
... nature and function of aesthetic theory according to Marxists ? The procedure in attempting to answer that question ... nature of aesthetic theories , where in a similar 2 Göran Hermerén , " The Nature of Aesthetic Theories " , in Lars ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim