Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
Iz vsebine knjige
Zadetki 1–3 od 69
Stran 32
... perception of space and time by psychologists , more remains to be done . I have drawn attention to this complex area for the reason that if ... perception interpretation Thus we have a sliding scale between perception and interpretation 32.
... perception of space and time by psychologists , more remains to be done . I have drawn attention to this complex area for the reason that if ... perception interpretation Thus we have a sliding scale between perception and interpretation 32.
Stran 141
... perception ) , and we see them as something else . If this is correct , seeing - as cannot be part of straightforward perception . On the contrary , it is the other way around : straightforward perception is part of , or presupposed by ...
... perception ) , and we see them as something else . If this is correct , seeing - as cannot be part of straightforward perception . On the contrary , it is the other way around : straightforward perception is part of , or presupposed by ...
Stran 279
... perception ( in this sense ) , and the distinction between sensory and cognitive perception is tenable , then all seeing cannot be seeing - as for the reasons given in note 87 . If Wollheim is consistent , he cannot accept the ...
... perception ( in this sense ) , and the distinction between sensory and cognitive perception is tenable , then all seeing cannot be seeing - as for the reasons given in note 87 . If Wollheim is consistent , he cannot accept the ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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Pogosti izrazi in povedi
aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim