Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
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Zadetki 1–3 od 53
Stran 33
... Perhaps it can be said that when the case is obvious , " see " is used rather than “ interpret " ; and when e.g. extensive information about the background is required , “ interpret " is normally preferred to " see " . Thus , suppose we ...
... Perhaps it can be said that when the case is obvious , " see " is used rather than “ interpret " ; and when e.g. extensive information about the background is required , “ interpret " is normally preferred to " see " . Thus , suppose we ...
Stran 72
... perhaps be stressed that even in case ( A ) one of these concepts is not included in the other . The concept of aesthetic value has a wider range of significance than the concept of artistic value , since it can be ap- plied also to ...
... perhaps be stressed that even in case ( A ) one of these concepts is not included in the other . The concept of aesthetic value has a wider range of significance than the concept of artistic value , since it can be ap- plied also to ...
Stran 153
... perhaps this thesis applies to all other periods except this one ? Personally I must confess that I find this rather unlikely . The more a particular period is studied , the more differences will probably be found between the masters of ...
... perhaps this thesis applies to all other periods except this one ? Personally I must confess that I find this rather unlikely . The more a particular period is studied , the more differences will probably be found between the masters of ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim