Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
Iz vsebine knjige
Zadetki 1–3 od 77
Stran 70
... possible to decide if and to what extent X has been influential or marked a turning - point in the history of art ... possible components I have distinguished ( skill , aesthetic value , relevance and so forth ) are clear and well ...
... possible to decide if and to what extent X has been influential or marked a turning - point in the history of art ... possible components I have distinguished ( skill , aesthetic value , relevance and so forth ) are clear and well ...
Stran 140
... possible ? Anyway , suppose we contemplate the strange , deformed object in the foreground of Holbein's well - known The Ambassadors ( National Gallery , London ) , what is on the table in one of Cézanne's still lifes ( fig . 16 ) , or ...
... possible ? Anyway , suppose we contemplate the strange , deformed object in the foreground of Holbein's well - known The Ambassadors ( National Gallery , London ) , what is on the table in one of Cézanne's still lifes ( fig . 16 ) , or ...
Stran 171
... possible to combine with several interpreta- tions of this notion . A number of strategies now suggest themselves for those who want to deny or challenge the idea that there are autonomous aesthetic values : ( i ) one can deny that it ...
... possible to combine with several interpreta- tions of this notion . A number of strategies now suggest themselves for those who want to deny or challenge the idea that there are autonomous aesthetic values : ( i ) one can deny that it ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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Pogosti izrazi in povedi
aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim