Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
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Zadetki 1–3 od 39
Stran 114
... tions , is created by an artist via a new work of art , when it is accepted . and gains followers . There are no sharp distinctions between ( A ) , ( B ) and ( C ) ; it is easy to imagine a number of intermediary cases between ( A ) and ...
... tions , is created by an artist via a new work of art , when it is accepted . and gains followers . There are no sharp distinctions between ( A ) , ( B ) and ( C ) ; it is easy to imagine a number of intermediary cases between ( A ) and ...
Stran 189
... tions of aesthetics . To avoid misunderstandings , I am anxious to stress the following points . The order of presentation chosen is not meant to suggest an implicit value scale or a ranking of importance of the different concep- tions ...
... tions of aesthetics . To avoid misunderstandings , I am anxious to stress the following points . The order of presentation chosen is not meant to suggest an implicit value scale or a ranking of importance of the different concep- tions ...
Stran 233
... tions , vicious circles , non - sequiturs , mathematical mistakes , statistical errors , non - representative samples , leading or ambiguous questions in interviews and questionaires , misquotations , faking of evidence , and so forth ...
... tions , vicious circles , non - sequiturs , mathematical mistakes , statistical errors , non - representative samples , leading or ambiguous questions in interviews and questionaires , misquotations , faking of evidence , and so forth ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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Pogosti izrazi in povedi
aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim