Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
Iz vsebine knjige
Zadetki 1–3 od 35
Stran 217
... writings , explicitly stated that capitalism , or rather a society with capitalist modes of production , is gewissen geistigen Produktionszweigen , -z.B . der Kunst und Poesie , feindlich.68 Also Georg Lukács consistently considered ...
... writings , explicitly stated that capitalism , or rather a society with capitalist modes of production , is gewissen geistigen Produktionszweigen , -z.B . der Kunst und Poesie , feindlich.68 Also Georg Lukács consistently considered ...
Stran 236
... writings in the history of aesthetics which can be characterized in the way suggested by Bennett . But the important thing is that there are many exceptions , and that much of the best work in contemporary aesthe- tics does constitute ...
... writings in the history of aesthetics which can be characterized in the way suggested by Bennett . But the important thing is that there are many exceptions , and that much of the best work in contemporary aesthe- tics does constitute ...
Stran 248
... writings about art , aesthetic objects , and art history are founded . ( A 12 ) The task of philosophical aesthetics is to find a universally valid or at all times accepted ( and thus not historically determined ) point of departure ...
... writings about art , aesthetic objects , and art history are founded . ( A 12 ) The task of philosophical aesthetics is to find a universally valid or at all times accepted ( and thus not historically determined ) point of departure ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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Pogosti izrazi in povedi
aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim