A Players' Handbook: The Theory Ad Practice of Acting

acting action actor arms artist attention audience begins body breath called chair character clearly CLOEY comes communication contrast course desire direction director door dramatic effective effort emotion Eustasia exercises experience expressive eyes face feel feet figures force forward front gesture give goes GRACIE hand head human imagination important indicated JOSEPH keep legs living look lower manifestations means ment mind moment MOTSINGER move movement muscles nature never Nicholas normal objects observed opens pantomimic performance person physical play player position possible posture practice presence reaction response rest rhythm rise scene sense shoulders side sounds speaks spectator speech stage standing step story suggest theatre things thought tion tone torso trained turn units values vocal voice vowels walk wall whole