A Players' Handbook: The Theory Ad Practice of ActingF. S. Crofts & Company, 1934 - 252 strani |
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Zadetki 1–3 od 18
Stran 231
... JOSEPH . She'll be surprised . MRS . MOTSINGER . [ Smiling to herself . ] It does me good to surprise folks , Joseph . JOSEPH . [ Uncertainly . ] Yeah . MRS . MOTSINGER . [ With relish . ] And there's nobody I'd rather sur- prise than ...
... JOSEPH . She'll be surprised . MRS . MOTSINGER . [ Smiling to herself . ] It does me good to surprise folks , Joseph . JOSEPH . [ Uncertainly . ] Yeah . MRS . MOTSINGER . [ With relish . ] And there's nobody I'd rather sur- prise than ...
Stran 238
... Joseph ? JOSEPH . Oh , no . . . no . [ He is nervous under her look . ] She told you about the supper , I guess ? MRS . MOTSINGER . I've heard about the supper . Are you getting hun- gry ? JOSEPH . NO . No hurry at all . [ He goes to ...
... Joseph ? JOSEPH . Oh , no . . . no . [ He is nervous under her look . ] She told you about the supper , I guess ? MRS . MOTSINGER . I've heard about the supper . Are you getting hun- gry ? JOSEPH . NO . No hurry at all . [ He goes to ...
Stran 242
... JOSEPH . A man that's going to write poetry needs somebody to subsidize him - I heard a smart man say that once , and it's true . CLOEY . I guess so . JOSEPH . You know - what they do to ships when there's a war going on . CLOEY . The ...
... JOSEPH . A man that's going to write poetry needs somebody to subsidize him - I heard a smart man say that once , and it's true . CLOEY . I guess so . JOSEPH . You know - what they do to ships when there's a war going on . CLOEY . The ...
Vsebina
THE ART OF ACTING | 3 |
Training for Technique | 9 |
The Language of the Theatre | 16 |
Avtorske pravice | |
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A. A. Milne acter acting action actor arms artist attention audience backbone body breath chair character chest Cloey's color consonants Constantin Stanislavsky contrast diaphragm director door dramatic effective effort emotion Eustasia exercises experience expressive eyes face feel feet fingers force forward front gesture GRACIE hand hard palate head Hecuba imagination J. O. Bailey JOSEPH keep knee larynx legs lift LILLY look manifestations MANNER OF ARTICULATION ment mind Miss Cloey mn ng MOTSINGER move movement muscles never Nicholas normal objects observed pantomimic pause performance person phrase physical play player playwright position posture re-creation reaction rhythm rhythmic scene sense Sensory Memory shoulders side soft palate sounds speaks spectator speech stage standing STARK YOUNG story suggest symbols theatre things thought tion tone tongue torso trained vocal voice voice-tones vowels walk wall Walt Whitman whole words