A Players' Handbook: The Theory Ad Practice of ActingF. S. Crofts & Company, 1934 - 252 strani |
Iz vsebine knjige
Zadetki 1–3 od 69
Stran 31
... Expressive Possibilities of the Physical Instrument The three media employed by the actor for communication are , as has been observed , ( a ) physical action ( pantomime ) , ( b ) voice - tones , ( c ) words . The study of theatric ...
... Expressive Possibilities of the Physical Instrument The three media employed by the actor for communication are , as has been observed , ( a ) physical action ( pantomime ) , ( b ) voice - tones , ( c ) words . The study of theatric ...
Stran 37
... expressive also as instruments for the com- munication of ideas , through signalling , writing , marking out this or that ; and again as instruments of manufacture . The hands make things , and the way in which they make them indicates ...
... expressive also as instruments for the com- munication of ideas , through signalling , writing , marking out this or that ; and again as instruments of manufacture . The hands make things , and the way in which they make them indicates ...
Stran 193
... EXPRESSIVE VOICE In the selections included here the student will find practice material for developing a clear , strong , expressive tone in ac- cordance with the principles for effective speech described in Chapters IV and V. When he ...
... EXPRESSIVE VOICE In the selections included here the student will find practice material for developing a clear , strong , expressive tone in ac- cordance with the principles for effective speech described in Chapters IV and V. When he ...
Vsebina
THE ART OF ACTING | 3 |
Training for Technique | 9 |
The Language of the Theatre | 16 |
Avtorske pravice | |
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A. A. Milne acter acting action actor arms artist attention audience backbone body breath chair character chest Cloey's color consonants Constantin Stanislavsky contrast diaphragm director door dramatic effective effort emotion Eustasia exercises experience expressive eyes face feel feet fingers force forward front gesture GRACIE hand hard palate head Hecuba imagination J. O. Bailey JOSEPH keep knee larynx legs lift LILLY look manifestations MANNER OF ARTICULATION ment mind Miss Cloey mn ng MOTSINGER move movement muscles never Nicholas normal objects observed pantomimic pause performance person phrase physical play player playwright position posture re-creation reaction rhythm rhythmic scene sense Sensory Memory shoulders side soft palate sounds speaks spectator speech stage standing STARK YOUNG story suggest symbols theatre things thought tion tone tongue torso trained vocal voice voice-tones vowels walk wall Walt Whitman whole words