A Players' Handbook: The Theory Ad Practice of ActingF. S. Crofts & Company, 1934 - 252 strani |
Iz vsebine knjige
Zadetki 1–3 od 23
Stran 20
... manifestations of a single emotional experience by quoting the description of a person in a state of grief by Lange , the Danish physiologist . The list of the inner and outer manifestations covers , in small print , a page and a half ...
... manifestations of a single emotional experience by quoting the description of a person in a state of grief by Lange , the Danish physiologist . The list of the inner and outer manifestations covers , in small print , a page and a half ...
Stran 21
... manifestations of an emo- tional experience . The actor's technique lies in the cultiva- tion - the selection , simplification , magnification — of the outer manifestations . That is , he must use the inner manifestations simply for the ...
... manifestations of an emo- tional experience . The actor's technique lies in the cultiva- tion - the selection , simplification , magnification — of the outer manifestations . That is , he must use the inner manifestations simply for the ...
Stran 24
... manifestations of sentiment in their neighbors , and let these other manifestations influence their own feelings . When the manifestations are antagonistic - attention and in- difference , laughter and tears — the spectator is unhappy ...
... manifestations of sentiment in their neighbors , and let these other manifestations influence their own feelings . When the manifestations are antagonistic - attention and in- difference , laughter and tears — the spectator is unhappy ...
Vsebina
THE ART OF ACTING | 3 |
Training for Technique | 9 |
The Language of the Theatre | 16 |
Avtorske pravice | |
24 preostalih delov ni prikazanih
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A. A. Milne acter acting action actor arms artist attention audience backbone body breath chair character chest Cloey's color consonants Constantin Stanislavsky contrast diaphragm director door dramatic effective effort emotion Eustasia exercises experience expressive eyes face feel feet fingers force forward front gesture GRACIE hand hard palate head Hecuba imagination J. O. Bailey JOSEPH keep knee larynx legs lift LILLY look manifestations MANNER OF ARTICULATION ment mind Miss Cloey mn ng MOTSINGER move movement muscles never Nicholas normal objects observed pantomimic pause performance person phrase physical play player playwright position posture re-creation reaction rhythm rhythmic scene sense Sensory Memory shoulders side soft palate sounds speaks spectator speech stage standing STARK YOUNG story suggest symbols theatre things thought tion tone tongue torso trained vocal voice voice-tones vowels walk wall Walt Whitman whole words