A Players' Handbook: The Theory Ad Practice of ActingF. S. Crofts & Company, 1934 - 252 strani |
Iz vsebine knjige
Zadetki 1–3 od 36
Stran 64
... muscles Lesser muscles The Vibratory System — the sound - making apparatus , lo- cated in the larynx ( Adam's apple ) . It includes : The cartilaginous box of the larynx The vocal cords The muscles within the larynx which control the ...
... muscles Lesser muscles The Vibratory System — the sound - making apparatus , lo- cated in the larynx ( Adam's apple ) . It includes : The cartilaginous box of the larynx The vocal cords The muscles within the larynx which control the ...
Stran 66
... muscles are distinct . While the lower abdominal muscles ( in co - operation with the gluteal muscles ) should remain relatively quiet and firm to maintain correct posture in the trunk ( including a flat lower abdomen ) , the upper ...
... muscles are distinct . While the lower abdominal muscles ( in co - operation with the gluteal muscles ) should remain relatively quiet and firm to maintain correct posture in the trunk ( including a flat lower abdomen ) , the upper ...
Stran 155
... muscles all over your body begin to tighten up . Rise slowly , higher and higher . Open up your lungs and take larger and larger draughts of air . Strengthen your back and the lower abdominal muscles , lift high your head , straighten ...
... muscles all over your body begin to tighten up . Rise slowly , higher and higher . Open up your lungs and take larger and larger draughts of air . Strengthen your back and the lower abdominal muscles , lift high your head , straighten ...
Vsebina
THE ART OF ACTING | 3 |
Training for Technique | 9 |
The Language of the Theatre | 16 |
Avtorske pravice | |
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A. A. Milne acter acting action actor arms artist attention audience backbone body breath chair character chest Cloey's color consonants Constantin Stanislavsky contrast diaphragm director door dramatic effective effort emotion Eustasia exercises experience expressive eyes face feel feet fingers force forward front gesture GRACIE hand hard palate head Hecuba imagination J. O. Bailey JOSEPH keep knee larynx legs lift LILLY look manifestations MANNER OF ARTICULATION ment mind Miss Cloey mn ng MOTSINGER move movement muscles never Nicholas normal objects observed pantomimic pause performance person phrase physical play player playwright position posture re-creation reaction rhythm rhythmic scene sense Sensory Memory shoulders side soft palate sounds speaks spectator speech stage standing STARK YOUNG story suggest symbols theatre things thought tion tone tongue torso trained vocal voice voice-tones vowels walk wall Walt Whitman whole words