A Players' Handbook: The Theory Ad Practice of ActingF. S. Crofts & Company, 1934 - 252 strani |
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Zadetki 1–3 od 36
Stran 19
... natural functions of the stomach are stopped almost completely . In other reactive states the reverse behavior may obtain . Certain ... nature of the circumstances under which COMMUNICATION AND RESPONSE 19 The Manifestation of Emotion.
... natural functions of the stomach are stopped almost completely . In other reactive states the reverse behavior may obtain . Certain ... nature of the circumstances under which COMMUNICATION AND RESPONSE 19 The Manifestation of Emotion.
Stran 20
The Theory Ad Practice of Acting Samuel Selden. ( b ) The nature of the circumstances under which it is applied ( c ) The nature of former experiences in the person re- sponding It is with the characteristic outer manifestations of an ...
The Theory Ad Practice of Acting Samuel Selden. ( b ) The nature of the circumstances under which it is applied ( c ) The nature of former experiences in the person re- sponding It is with the characteristic outer manifestations of an ...
Stran 251
... nature on the art of acting are available in this country , but very few books of a specific nature . The two leading works of the latter kind are un- doubtedly My Life in Art by Constantin Stanislavsky ( Little , Brown and Company ) ...
... nature on the art of acting are available in this country , but very few books of a specific nature . The two leading works of the latter kind are un- doubtedly My Life in Art by Constantin Stanislavsky ( Little , Brown and Company ) ...
Vsebina
THE ART OF ACTING | 3 |
Training for Technique | 9 |
TRAINING FOR EXPRESSIVENES | 31 |
Avtorske pravice | |
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A. A. Milne acter acting action actor arms articulation artist attention audience backbone body breath chair character chest climaxes Cloey's color consonants Constantin Stanislavsky contrast diaphragm director door dramatic effective effort emotion Eustasia exercises experience expressive eyes face feel feet fingers force forward front gesture GRACIE hand hard palate head Hecuba imagination J. O. Bailey JOSEPH keep knee larynx legs lift LILLY look manifestations manner of articulation ment mind Miss Cloey MOTSINGER move movement muscles never Nicholas normal objects observed pantomimic pause performance person phrase physical play player PLAYER'S HANDBOOK playwright position posture re-creation reaction rhythm rhythmic scene sense Sensory Memory shoulders side soft palate speaks spectator speech stage standing STARK YOUNG story suggest symbols theatre things thought tion tone tongue torso trained vocal voice-tones walk wall Walt Whitman whole words