A Players' Handbook: The Theory Ad Practice of ActingF. S. Crofts & Company, 1934 - 252 strani |
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Zadetki 1–3 od 90
Stran 90
... play as a whole . What is the general character of the play ? Is the play a regular drama with a plot - like nineteen out of every twenty plays or is it a special form of stage piece such as the " mood- picture " or the " spectacle ...
... play as a whole . What is the general character of the play ? Is the play a regular drama with a plot - like nineteen out of every twenty plays or is it a special form of stage piece such as the " mood- picture " or the " spectacle ...
Stran 92
... play , he should attempt to answer : How many dominating desires are revealed in the action of the play ? Are there one , two , or more ? If there are several , what is the principal one , the one which gives direction to the play ...
... play , he should attempt to answer : How many dominating desires are revealed in the action of the play ? Are there one , two , or more ? If there are several , what is the principal one , the one which gives direction to the play ...
Stran 93
... play in which he is preparing to take part . He will no doubt continue to ques- tion the design until he arrives at a clear understanding of the play . 3. Finding the Dramatic Purpose of the Part Having determined the form and spirit of ...
... play in which he is preparing to take part . He will no doubt continue to ques- tion the design until he arrives at a clear understanding of the play . 3. Finding the Dramatic Purpose of the Part Having determined the form and spirit of ...
Vsebina
THE ART OF ACTING | 3 |
Training for Technique | 9 |
The Language of the Theatre | 16 |
Avtorske pravice | |
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A. A. Milne acter acting action actor arms artist attention audience backbone body breath chair character chest Cloey's color consonants Constantin Stanislavsky contrast diaphragm director door dramatic effective effort emotion Eustasia exercises experience expressive eyes face feel feet fingers force forward front gesture GRACIE hand hard palate head Hecuba imagination J. O. Bailey JOSEPH keep knee larynx legs lift LILLY look manifestations MANNER OF ARTICULATION ment mind Miss Cloey mn ng MOTSINGER move movement muscles never Nicholas normal objects observed pantomimic pause performance person phrase physical play player playwright position posture re-creation reaction rhythm rhythmic scene sense Sensory Memory shoulders side soft palate sounds speaks spectator speech stage standing STARK YOUNG story suggest symbols theatre things thought tion tone tongue torso trained vocal voice voice-tones vowels walk wall Walt Whitman whole words