A Players' Handbook: The Theory Ad Practice of ActingF. S. Crofts & Company, 1934 - 252 strani |
Iz vsebine knjige
Zadetki 1–3 od 40
Stran viii
... Posture and Movement 13. Normal Posture - Standing 14. Normal Movement - Walking 15. Normal Movement - Turning 16. Normal Posture - Sitting 4I 42 43 · 46 47 49 · 51 53 55 55 17. Special Points in Stage Movement 18. Gestures for the ...
... Posture and Movement 13. Normal Posture - Standing 14. Normal Movement - Walking 15. Normal Movement - Turning 16. Normal Posture - Sitting 4I 42 43 · 46 47 49 · 51 53 55 55 17. Special Points in Stage Movement 18. Gestures for the ...
Stran 38
... posture of the head . T. Earl Pardoe 3 calls attention to the fact that a man betrays his attitude toward himself in the way he holds the topmost member of his body . When the head is held erect , self - esteem is manifested , when it ...
... posture of the head . T. Earl Pardoe 3 calls attention to the fact that a man betrays his attitude toward himself in the way he holds the topmost member of his body . When the head is held erect , self - esteem is manifested , when it ...
Stran 49
... POSTURE AND MOVEMENT 12. Normal and Characterized Posture and Movement There are two types of posture and movement with which the actor must make himself familiar : ( a ) The Normal — Unparticularized conduct ( b ) The Characterized ...
... POSTURE AND MOVEMENT 12. Normal and Characterized Posture and Movement There are two types of posture and movement with which the actor must make himself familiar : ( a ) The Normal — Unparticularized conduct ( b ) The Characterized ...
Vsebina
THE ART OF ACTING | 3 |
Training for Technique | 9 |
The Language of the Theatre | 16 |
Avtorske pravice | |
24 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
A. A. Milne acter acting action actor arms artist attention audience backbone body breath chair character chest Cloey's color consonants Constantin Stanislavsky contrast diaphragm director door dramatic effective effort emotion Eustasia exercises experience expressive eyes face feel feet fingers force forward front gesture GRACIE hand hard palate head Hecuba imagination J. O. Bailey JOSEPH keep knee larynx legs lift LILLY look manifestations MANNER OF ARTICULATION ment mind Miss Cloey mn ng MOTSINGER move movement muscles never Nicholas normal objects observed pantomimic pause performance person phrase physical play player playwright position posture re-creation reaction rhythm rhythmic scene sense Sensory Memory shoulders side soft palate sounds speaks spectator speech stage standing STARK YOUNG story suggest symbols theatre things thought tion tone tongue torso trained vocal voice voice-tones vowels walk wall Walt Whitman whole words