A Players' Handbook: The Theory Ad Practice of ActingF. S. Crofts & Company, 1934 - 252 strani |
Iz vsebine knjige
Zadetki 1–3 od 27
Stran 53
... rest of the body relaxed , the backbone should have a strong upright position , as though a steel spring had been run through the length of it . The upper body hung on such a backbone may be bent freely , forward , to the right or the ...
... rest of the body relaxed , the backbone should have a strong upright position , as though a steel spring had been run through the length of it . The upper body hung on such a backbone may be bent freely , forward , to the right or the ...
Stran 55
... rest . Remember to make the feet follow the body . Never let them get left behind in a turn . At the same time , in ... rest your arm on the arm of a large easy chair or the back of a sofa , let it rest — do not hang your body from it ...
... rest . Remember to make the feet follow the body . Never let them get left behind in a turn . At the same time , in ... rest your arm on the arm of a large easy chair or the back of a sofa , let it rest — do not hang your body from it ...
Stran 169
... rest ? Just relax and rest . " He starts back toward the sink , then , arrested PANTOMIMES FOR THE EXPRESSIVE BODY 169.
... rest ? Just relax and rest . " He starts back toward the sink , then , arrested PANTOMIMES FOR THE EXPRESSIVE BODY 169.
Vsebina
THE ART OF ACTING | 3 |
Training for Technique | 9 |
The Language of the Theatre | 16 |
Avtorske pravice | |
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A. A. Milne acter acting action actor arms artist attention audience backbone body breath chair character chest Cloey's color consonants Constantin Stanislavsky contrast diaphragm director door dramatic effective effort emotion Eustasia exercises experience expressive eyes face feel feet fingers force forward front gesture GRACIE hand hard palate head Hecuba imagination J. O. Bailey JOSEPH keep knee larynx legs lift LILLY look manifestations MANNER OF ARTICULATION ment mind Miss Cloey mn ng MOTSINGER move movement muscles never Nicholas normal objects observed pantomimic pause performance person phrase physical play player playwright position posture re-creation reaction rhythm rhythmic scene sense Sensory Memory shoulders side soft palate sounds speaks spectator speech stage standing STARK YOUNG story suggest symbols theatre things thought tion tone tongue torso trained vocal voice voice-tones vowels walk wall Walt Whitman whole words