A Players' Handbook: The Theory Ad Practice of ActingF. S. Crofts & Company, 1934 - 252 strani |
Iz vsebine knjige
Zadetki 1–3 od 39
Stran 67
... sounds of which words are composed are of two kinds , vowels , and consonants . A vowel is an uninterrupted vocal sound , generally one of the following : 2 Numerous books dealing with the problem of articulation are readily available ...
... sounds of which words are composed are of two kinds , vowels , and consonants . A vowel is an uninterrupted vocal sound , generally one of the following : 2 Numerous books dealing with the problem of articulation are readily available ...
Stran 68
... sounds are used singly or doubly . Double vowel sounds are called diphthongs : I OI OW — and , in accented syllables , Ā and Ō Ride , Oil , Cow , Prevail , Alone The vowel sounds are classified according to the positions in which they ...
... sounds are used singly or doubly . Double vowel sounds are called diphthongs : I OI OW — and , in accented syllables , Ā and Ō Ride , Oil , Cow , Prevail , Alone The vowel sounds are classified according to the positions in which they ...
Stran 75
... sounds ; they are symbols for sounds possessing stimulative powers - sounds which make people see images and feel emotion . D. NORMAL SPEECH PATTERNS 7. Phrasing the Line The color TRAINING FOR EXPRESSIVENESS - THE VOICE 75.
... sounds ; they are symbols for sounds possessing stimulative powers - sounds which make people see images and feel emotion . D. NORMAL SPEECH PATTERNS 7. Phrasing the Line The color TRAINING FOR EXPRESSIVENESS - THE VOICE 75.
Vsebina
THE ART OF ACTING | 3 |
Training for Technique | 9 |
The Language of the Theatre | 16 |
Avtorske pravice | |
24 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
A. A. Milne acter acting action actor arms artist attention audience backbone body breath chair character chest Cloey's color consonants Constantin Stanislavsky contrast diaphragm director door dramatic effective effort emotion Eustasia exercises experience expressive eyes face feel feet fingers force forward front gesture GRACIE hand hard palate head Hecuba imagination J. O. Bailey JOSEPH keep knee larynx legs lift LILLY look manifestations MANNER OF ARTICULATION ment mind Miss Cloey mn ng MOTSINGER move movement muscles never Nicholas normal objects observed pantomimic pause performance person phrase physical play player playwright position posture re-creation reaction rhythm rhythmic scene sense Sensory Memory shoulders side soft palate sounds speaks spectator speech stage standing STARK YOUNG story suggest symbols theatre things thought tion tone tongue torso trained vocal voice voice-tones vowels walk wall Walt Whitman whole words