A Players' Handbook: The Theory Ad Practice of ActingF. S. Crofts & Company, 1934 - 252 strani |
Iz vsebine knjige
Zadetki 1–3 od 8
Stran 67
... vowels , and consonants . A vowel is an uninterrupted vocal sound , generally one of the following : 2 Numerous books dealing with the problem of articulation are readily available . In view of the fact that space in this manual is ...
... vowels , and consonants . A vowel is an uninterrupted vocal sound , generally one of the following : 2 Numerous books dealing with the problem of articulation are readily available . In view of the fact that space in this manual is ...
Stran 68
... vowel sounds are classified according to the positions in which they are articulated in relationship to the tongue . These , for instance , are front vowels : Ē ( eve ) Ĭ ( in ) A ( ale ) Ě ( end ) Ă ( at ) Ā E These are back vowels ...
... vowel sounds are classified according to the positions in which they are articulated in relationship to the tongue . These , for instance , are front vowels : Ē ( eve ) Ĭ ( in ) A ( ale ) Ě ( end ) Ă ( at ) Ā E These are back vowels ...
Stran 184
... vowel chart on page 67 , ē , i , ā , ě , ǎ and à are " front " vowels ; ōō , oo , ō , aw and ŏ are " back " vowels ; while é , u and ä are “ intermediate " vowels . The vowels take their name from the relative positions they occupy in ...
... vowel chart on page 67 , ē , i , ā , ě , ǎ and à are " front " vowels ; ōō , oo , ō , aw and ŏ are " back " vowels ; while é , u and ä are “ intermediate " vowels . The vowels take their name from the relative positions they occupy in ...
Vsebina
THE ART OF ACTING | 3 |
Training for Technique | 9 |
The Language of the Theatre | 16 |
Avtorske pravice | |
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Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
A. A. Milne acter acting action actor arms artist attention audience backbone body breath chair character chest Cloey's color consonants Constantin Stanislavsky contrast diaphragm director door dramatic effective effort emotion Eustasia exercises experience expressive eyes face feel feet fingers force forward front gesture GRACIE hand hard palate head Hecuba imagination J. O. Bailey JOSEPH keep knee larynx legs lift LILLY look manifestations MANNER OF ARTICULATION ment mind Miss Cloey mn ng MOTSINGER move movement muscles never Nicholas normal objects observed pantomimic pause performance person phrase physical play player playwright position posture re-creation reaction rhythm rhythmic scene sense Sensory Memory shoulders side soft palate sounds speaks spectator speech stage standing STARK YOUNG story suggest symbols theatre things thought tion tone tongue torso trained vocal voice voice-tones vowels walk wall Walt Whitman whole words