Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 strani |
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Zadetki 1–3 od 82
Stran 133
... play , ) were delivered to us from the observations which Aristotle made , of those poets , who either lived before him , or were his contemporaries : we have added nothing of our own , except we have the confidence to say our wit is ...
... play , ) were delivered to us from the observations which Aristotle made , of those poets , who either lived before him , or were his contemporaries : we have added nothing of our own , except we have the confidence to say our wit is ...
Stran 134
... play , when all the per- sons are known to each other , and every one of them has some affairs with all the rest . " As for the third Unity , which is that of Ac- tion , the Ancients meant no other by it than what the logicians do by ...
... play , when all the per- sons are known to each other , and every one of them has some affairs with all the rest . " As for the third Unity , which is that of Ac- tion , the Ancients meant no other by it than what the logicians do by ...
Stran 145
... play , those which best fulfil that law ought to be esteemed superior to the others . ' Tis true , those beauties of the French poesy are such as will raise perfection higher where it is , but are not sufficient to give it where it is ...
... play , those which best fulfil that law ought to be esteemed superior to the others . ' Tis true , those beauties of the French poesy are such as will raise perfection higher where it is , but are not sufficient to give it where it is ...
Vsebina
Horace | 49 |
Longinus | 59 |
THE RENAISSANCE RESTATEMENT | 77 |
Avtorske pravice | |
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action admiration ancient appear Aristotle Arnold artist beauty Ben Jonson blank verse century character Chaucer classical Coleridge comedy common concrete criticism delight distinction drama Dryden effect emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism ness never object original particular passion perfect perhaps persons philosopher Plato play pleasure plot poem Poesy poet poetical poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak spirit style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing