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Theory and Criticism of Tragedy
from the Deipnosophists
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action actor Aeschylus appear artist attempt audience beautiful become beginning believe better bring called century character comedy comes course critics death drama effect Elizabethan English example expression eyes face fact father feel force give given Greek Hamlet hand human idea imagination imitation important interest Italy kind King less light lines living London look manner matter means mind moral nature never object observed once original pass passion performance person picture piece Plautus play plot poet possible present production reason represented scene seems seen sense Shakespeare speak spectator spirit stage story style theatre things thou thought tion tragedy tragic true truth turn whole writing