Geschichte der Poesie und Beredsamkeit seit dem Ende des dreizehnten Jahrhunderts: EnglandJ.F. Röwer, 1810 |
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Abhandlung Addison alten Ambrose Philips Ausgabe Beifall bekannt Beredsamkeit berühmt besonders Bouterwek's Carl's Charakter chen Cultur Delicatesse Dichtungsarten didaktischen dieſe dramatischen Dryden Dryden's eben Edmund Smith Einfluß einige eleganten England englis engliſchen englischen Dichter englischen Litteratur englischen Poesie englischen Theater epis ersten Erzählungen feiner finden französischen ganzen Gefühl Geist geistreichen gemeinen Genies Geschmack Glück Graf großen Grundsäßen Hauses Stuart Herzog von Buckingham Hofe Horace Walpole Irländer Jahre Jahrhunderts John John Ogilvie komischen konnte Kritik Kunst läßt Leben Lehrgedicht lich Lieder ließ litterarischen Lond London Lord Lustspiele lyrischen machte Manier Mann moralischen muß Nahmen Nation Natur neueren Octavbånden Partei Periode Phantasie poetischen politischen Pope Pope's Prose Protestantismus Publicum Redek Romane Satyre Schauspiele schen Schottland Schriften Schriftsteller ſein ſeinen seis ſelbſt seyn ſich ſie Sitten Sprache Steele Styls Swift Talente Theil Trauerspiele übrigen verdient vers Versen Verstand viel vorzüglich wenig Werke Werth Whigs wollte Works Zeitalter Zeitraums
Priljubljeni odlomki
Stran 261 - The most accomplished way of using books at present is twofold : either first to serve them as some men do lords, learn their titles exactly, and then brag of their acquaintance ; or, secondly, which is indeed the choicer, the profounder, and politer method, to get a thorough insight into the index by which the whole book is governed and turned, like fishes by the tail.
Stran 190 - And terror on my aching sight ; the tombs And monumental caves of death look cold, And shoot a chilness to my trembling heart. Give me thy hand, and let me hear thy voice ; Nay, quickly speak to me, and let me hear Thy voice — my own affrights me with its echoes.
Stran 66 - From harmony, from heavenly harmony This universal frame began ; When Nature underneath a heap Of jarring atoms lay, And could not heave her head, The tuneful voice was heard from high, Arise, ye more than dead. Then cold and hot and moist and dry In order to their stations leap, And Music's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony Through all the compass of...
Stran 107 - I'd be a Dog, a Monkey or a Bear, Or any thing, but that vain Animal, Who is so proud of being rational.
Stran 265 - Were not the people of Ireland born as free as those of England? How have they forfeited their freedom? Is not their Parliament as fair a representative of the people as that of England?
Stran 63 - Half-cloth'd, half-naked, hastily retire : And frighted mothers strike their breasts too late^ For helpless infants left amidst the fire. Their cries soon waken all the dwellers near ; Now murmuring noises rise in every street? The more remote run stumbling with...
Stran 87 - I'd have a private seat, Built uniform, not little, nor too great; Better if on a rising ground it stood ; On this side fields, on that a neighbouring wood.
Stran 209 - Tis pathless, dark, and barren all to me. Thou art my only guide, my light of life, And thou art leaving me : send out thy beams Upon the wing ; let them fly all around, Discover every way : is there a dawn, A glimmering of comfort? The great god, That rises on the world, must shine on us.
Stran 282 - The laurel, the hornbeam., and the holly, with many other trees and plants of the same nature, grow so thick in it; that you cannot imagine a more lively scene. The glowing redness of the berries, with which they are hung at this time, vies with the verdure of their leaves, and are...
Stran 71 - ... rather to have it made known by narration to the audience. Farther, I think it very convenient, for the reasons he has given, that all incredible actions were...