A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 strani |
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Zadetki 1–3 od 44
Stran 314
... distance without its disappearance , " that is , the maximum personal appeal compatible with distance - a rule which Bullough calls the " antinomy of distance . A somewhat different theory of esthetic distance is formulated by the ...
... distance without its disappearance , " that is , the maximum personal appeal compatible with distance - a rule which Bullough calls the " antinomy of distance . A somewhat different theory of esthetic distance is formulated by the ...
Stran 313
... distance " is the es- sential feature of the esthetic attitude . " Psychical distance , " he explains , has two aspects : First , there is a negative , in- hibitory side - which consists of " a putting of the object out of gear with our ...
... distance " is the es- sential feature of the esthetic attitude . " Psychical distance , " he explains , has two aspects : First , there is a negative , in- hibitory side - which consists of " a putting of the object out of gear with our ...
Stran 324
... Distance , whether due to the one or the other , means loss of esthetic appreciation . In short , Distance may be said to be variable both accord- ing to the distancing - power of the individual , and accord- ing to the character of the ...
... Distance , whether due to the one or the other , means loss of esthetic appreciation . In short , Distance may be said to be variable both accord- ing to the distancing - power of the individual , and accord- ing to the character of the ...
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VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Avtorske pravice | |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words