A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 strani |
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Zadetki 1–3 od 74
Stran 259
... creation of form . He understood immediately the Byzantine masters and the French and Italian Primitives . In the Renaissance painters , on the other hand , with ... created in Paris the day before yesterday or in Babylon CLIVE BELL 259.
... creation of form . He understood immediately the Byzantine masters and the French and Italian Primitives . In the Renaissance painters , on the other hand , with ... created in Paris the day before yesterday or in Babylon CLIVE BELL 259.
Stran 260
... created form moves us so profoundly because it expresses the emotion of its creator . . . . If this be so , it will explain that curious but undeniable fact , to which I have already referred , that what I call material beauty ( e.g. ...
... created form moves us so profoundly because it expresses the emotion of its creator . . . . If this be so , it will explain that curious but undeniable fact , to which I have already referred , that what I call material beauty ( e.g. ...
Stran 414
... created on canvas or in metal mechanical equivalents of organic objects : Léger painted human figures that looked as if they had been turned in a lathe , and Duchamp - Villon modeled a horse as if it were a machine . This whole process ...
... created on canvas or in metal mechanical equivalents of organic objects : Léger painted human figures that looked as if they had been turned in a lathe , and Duchamp - Villon modeled a horse as if it were a machine . This whole process ...
Vsebina
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Avtorske pravice | |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words