A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 strani |
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Zadetki 1–3 od 99
Stran xix
... expression that excites admiring con- templation . Beauty may result either from the nature of what is expressed or from the success of expression . Even when the subject - matter to be expressed is painful or ugly - nega- tive values ...
... expression that excites admiring con- templation . Beauty may result either from the nature of what is expressed or from the success of expression . Even when the subject - matter to be expressed is painful or ugly - nega- tive values ...
Stran 84
... expression is the essence of all art , he finds the psychological origin of the artist's activity in the need to secure relief from emotional pressure . Art requires critical control in the act of expression and hence the bridling of ...
... expression is the essence of all art , he finds the psychological origin of the artist's activity in the need to secure relief from emotional pressure . Art requires critical control in the act of expression and hence the bridling of ...
Stran 174
... expression is not intuition or representation , but sensation and mere natural fact . The spirit only intuits in making , forming ,, expressing . He who separates intuition from expression never succeeds in reuniting them . Intuitive ...
... expression is not intuition or representation , but sensation and mere natural fact . The spirit only intuits in making , forming ,, expressing . He who separates intuition from expression never succeeds in reuniting them . Intuitive ...
Vsebina
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Avtorske pravice | |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words