A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 strani |
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Stran iv
... material from Clive Bell's Art ; to the Hogarth Press , for material from Roger Fry's essay " The Artist and Psycho- Analysis " ; to Rhys Carpenter and Bryn Mawr College , for a selection from Carpenter's The Esthetic Basis of Greek Art ...
... material from Clive Bell's Art ; to the Hogarth Press , for material from Roger Fry's essay " The Artist and Psycho- Analysis " ; to Rhys Carpenter and Bryn Mawr College , for a selection from Carpenter's The Esthetic Basis of Greek Art ...
Stran 260
... material beauty . The contemplation of natural objects is often the immediate cause of the artist's emotion . Are we to suppose , then , that the artist feels , or sometimes feels , for material beauty what we feel for a work of art ...
... material beauty . The contemplation of natural objects is often the immediate cause of the artist's emotion . Are we to suppose , then , that the artist feels , or sometimes feels , for material beauty what we feel for a work of art ...
Stran 261
... material objects as pure forms . We see things as ends in themselves , that is to say ; and at such moments it seems ... material beauty a thrill indistinguish- able from that which art gives ? And , if this be so , is it not clear that ...
... material objects as pure forms . We see things as ends in themselves , that is to say ; and at such moments it seems ... material beauty a thrill indistinguish- able from that which art gives ? And , if this be so , is it not clear that ...
Vsebina
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Avtorske pravice | |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words