A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 strani |
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Zadetki 1–3 od 56
Stran 21
... particular vividness that they are . Naturally , this game would be impossible unless they had a particular interest in animals . And to that extent one can say that the content is important for the vividness of the game . But it is ...
... particular vividness that they are . Naturally , this game would be impossible unless they had a particular interest in animals . And to that extent one can say that the content is important for the vividness of the game . But it is ...
Stran 307
... particular raising and lifting is merely the nucleus to which gravitates our re- membrance of all similar acts of raising , or rising which we have ever accomplished or seen accomplished , raising or rising not only of our eyes and head ...
... particular raising and lifting is merely the nucleus to which gravitates our re- membrance of all similar acts of raising , or rising which we have ever accomplished or seen accomplished , raising or rising not only of our eyes and head ...
Stran 308
... particular present acts of raising or rising involved in our looking at that mountain , and it is this general idea of rising , i.e. , of upward move- ment , which gets transferred to the mountain along with our own particular present ...
... particular present acts of raising or rising involved in our looking at that mountain , and it is this general idea of rising , i.e. , of upward move- ment , which gets transferred to the mountain along with our own particular present ...
Vsebina
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Avtorske pravice | |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words