A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 strani |
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Zadetki 1–3 od 7
Stran 305
... rising we are talking about is evidently not that probable or improbable upheaval . On the other hand all geologists ... rising , is descending . Of course we all know that , objects the Reader , and of course no- body imagines that the ...
... rising we are talking about is evidently not that probable or improbable upheaval . On the other hand all geologists ... rising , is descending . Of course we all know that , objects the Reader , and of course no- body imagines that the ...
Stran 307
... rising which we have ever accomplished or seen accomplished , raising or rising not only of our eyes and head , but of every other part of our body , and of every part of every other body which we ever perceived to be rising . And not ...
... rising which we have ever accomplished or seen accomplished , raising or rising not only of our eyes and head , but of every other part of our body , and of every part of every other body which we ever perceived to be rising . And not ...
Stran 309
... rising , we who are feeling the rising , we should not think or feel that the mountain did the rising . The other ( and as we shall later see ) more justifiable misinterpretation of the word Empathy is based on its analogy with sympathy ...
... rising , we who are feeling the rising , we should not think or feel that the mountain did the rising . The other ( and as we shall later see ) more justifiable misinterpretation of the word Empathy is based on its analogy with sympathy ...
Vsebina
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Avtorske pravice | |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words