A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 strani |
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Zadetki 1–3 od 66
Stran 172
... soul , from a " sketch " ( as the painters call it ) , from a mo- tive ; and they follow one another and crowd together with- out that precise intonation , without that accent , which comes from the heart . And what is the figure cut ...
... soul , from a " sketch " ( as the painters call it ) , from a mo- tive ; and they follow one another and crowd together with- out that precise intonation , without that accent , which comes from the heart . And what is the figure cut ...
Stran 181
... souls that are more detached from life . Not with that intentional , logical , systematical detachment - the result of ... soul of an artist such as the world has never yet seen . It would excel alike in every art at the same time ; or ...
... souls that are more detached from life . Not with that intentional , logical , systematical detachment - the result of ... soul of an artist such as the world has never yet seen . It would excel alike in every art at the same time ; or ...
Stran 472
... soul is the reason for the neces- sity of art . A static value , however serious and important , becomes unendurable by its appalling monotony of endur- ance . The soul cries aloud for release into change . It suffers the agonies of ...
... soul is the reason for the neces- sity of art . A static value , however serious and important , becomes unendurable by its appalling monotony of endur- ance . The soul cries aloud for release into change . It suffers the agonies of ...
Vsebina
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Avtorske pravice | |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words