A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 strani |
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Zadetki 1–3 od 45
Stran 66
... truth , " to a denial of " truth . " This ability , this artistic capacity par excellence of man - thanks to which he overcomes reality with lies- is a quality which he has in common with all other forms of existence . He himself is ...
... truth , " to a denial of " truth . " This ability , this artistic capacity par excellence of man - thanks to which he overcomes reality with lies- is a quality which he has in common with all other forms of existence . He himself is ...
Stran 97
... Truth and personality : these are the alpha and omega of art formulas ; truth as to facts , and the personality of the artist . But , if we look more closely , we shall see that these two terms are in reality but one . Truth as to fact ...
... Truth and personality : these are the alpha and omega of art formulas ; truth as to facts , and the personality of the artist . But , if we look more closely , we shall see that these two terms are in reality but one . Truth as to fact ...
Stran 376
... truth of scientific knowledge , for that truth which understands the immediate reality of the objects . Philosophy , to condense all into one phrase , has shown that all scientific knowledge leads us away from the real object , giving ...
... truth of scientific knowledge , for that truth which understands the immediate reality of the objects . Philosophy , to condense all into one phrase , has shown that all scientific knowledge leads us away from the real object , giving ...
Vsebina
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Avtorske pravice | |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words