Art and UnderstandingB. T. Batsford, Limited, 1937 - 292 strani |
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Zadetki 1–3 od 43
Stran 52
... substance , the substance of Mind , and this throughout a whole . In this whole the appearance of matter with all its mortal impli- cations is unknown . So , in its reflection , true humility receives true authority without comment . In ...
... substance , the substance of Mind , and this throughout a whole . In this whole the appearance of matter with all its mortal impli- cations is unknown . So , in its reflection , true humility receives true authority without comment . In ...
Stran 112
... substance in art . 74 shows it to be , not the stuff or substance of matter , but the reflection of Mind , permanent and harmonious . Through form we see how a great artist can portray a state of the soul without relapsing into poetic ...
... substance in art . 74 shows it to be , not the stuff or substance of matter , but the reflection of Mind , permanent and harmonious . Through form we see how a great artist can portray a state of the soul without relapsing into poetic ...
Stran 113
... substance , of art ? Or is there nothing more to be discovered than a clever copy of material substance or flesh , and of animation that is not real but apparent ? If we have no certainty we can return to this contrast later on and ...
... substance , of art ? Or is there nothing more to be discovered than a clever copy of material substance or flesh , and of animation that is not real but apparent ? If we have no certainty we can return to this contrast later on and ...
Vsebina
GENERAL 1 REALITY AND UNREALITY | 1 |
THE ARTIST AND THE AESTHETIC PROCESS | 2 |
ART MECHANISM INTUITION | 3 |
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A. N. Whitehead aesthetic aesthetic value ancient art and counterfeit aspects associated ideas Bavarian National Museum belief Cahiers d'Art Cézanne colour conception conscious contrast counterfeit art craft creature decoration delight detail disinterested drawing element Enguerrand Charonton expand experience expression feeling felt form and design Gallery German Giraudon grasp harmony human illustrate imagery impression individual inspiration interest light living Marion Richardson material sense mechanical mind mind-picture modern Montaubon nature object original painter painting perceived perception physical Piero della Francesca plastic form poetry PORTRAIT practical Prado Museum present psychology pure realise reality reflection Rembrandt Robert Bridges sculpture seen sense of things shining shows sight significance soul spiritual style subject matter substance symbol temporal THOMAS TRAHERNE thou Titian to-day tradition translated true art truth ugliness unconscious unconscious mind underlying understanding unity vision visual arts whole witness world of appearance