Medieval and Renaissance Drama in England

Sprednja platnica
John Pitcher
Fairleigh Dickinson Univ Press, 2001 - 320 strani
Medieval and Renaissance Drama in England is an international volume published every year in hardcover, containing essays and studies as well as book reviews of the many significant books and essays dealing with the cultural history of medieval and early modern England as expressed by and realized in its drama exclusive of Shakespeare.
 

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Foreword
7
Contributors
9
Shakespeares Richard II and the Anonymous Thomas of Woodstock
17
Rewriting the Narrative of Dramatic Character or Not Shakespearean but Debatable
66
Marlowes Cambridge and London Friendships
86
The Political Contexts of Deposition and Election in Edward II
105
Missing and Presumed Lost
122
Dekkers Use of Hans Sachs and Purim in The Shoemakers Holiday
144
National Formations Postcolonial Appropriations
259
Protestantism and Popular Theater in Early Modern England
264
Gender and Literacy on Stage in Early Modern England
270
The Play of Dilation
276
Attending to the OFactor
281
WitchHunting and Maternal Power in Early Modern England
287
Manuscripts and Their Makers in SeventeenthCentury England
291
Introduction to English Renaissance Comedy
306

Mayor John Spencer Elizabethan Civic Antitheatricalism and The Shoemakers Holiday
168
The Taming of the Shrew and The Womans Prize or The Tamer Tamed
186
Secrecy and Publication in A Game at Chess
207
Negotiating a More Equal Marriage on the English Renaissance Stage
227
Volpone
311
Index
315
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