 Amadis, becomes gradually a detached, separate, and wholly independent personage, into whom is infused so much of a generous and elevated nature, such gentleness and delicacy, such a pure sense of honor, and such a warm love for whatever is noble and...  History of Spanish Literature - Stran 142avtor: George Ticknor - 1863Celotni ogled - O knjigi
 | Evert Augustus Duyckinck, George Long Duyckinck - 1856 - 808 strani
...relations as little foreseen by himself as they arc by his readers. The knight, who seems to have been originally intended for a parody of the Amadis, becomes...love for whatever is noble and good, that we feel almost the same attachment to him that the barber and the curate did, and nro almost as ready as his... | |
 | Evert Augustus Duyckinck, George Long Duyckinck - 1856 - 816 strani
...knight, who seems to have been originally intended for a parody of the Aniudis, becomes graduiilly a detached, separate, and wholly independent personage,...love for whatever is noble and good, that we feel almost the same attachment to him that the barber anil the curate did, and are almost as ready as his... | |
 | Evert Augustus Duyckinck, George Long Duyckinck - 1856 - 838 strani
...relations as little foreseen by himself as they are by his readers. The knight, who seems to have been originally intended for a parody of the Amadis, becomes...wholly independent personage, into whom is infused so mnch of a generous and elevated nature, such gentleness and delicacy, such a pure sense of honor, and... | |
 | Charles Dexter Cleveland - 1859 - 812 strani
...by his readers. The knight, who seems to have been originally intended for a parody of the Aniadis, becomes gradually a detached, separate, and wholly...love for whatever is noble and good, that we feel almost the same attachment to him that the barber and the curate did, and are almost as ready as his... | |
 | Charles Dexter Cleveland - 1862 - 796 strani
...relations as little foreseen by himself as they are by his readers. The knight, who seems to have been originally intended for a parody of the Amadis, becomes...love for whatever is noble and good, that we feel almost the same attachment to him that the barber and the curate did, and are almost as ready as his... | |
 | Charles Dexter Cleveland - 1862 - 792 strani
...relations as little foreseen by himself as they are by his readers. The knight, who seems to have been originally intended for a parody of the Amadis, becomes...infused so much of a generous and elevated nature, tuch gentleness and delicacy, such a pure sense of honor, and such a warm love for whatever is noble... | |
 | Charles Dexter Cleveland - 1865 - 798 strani
...relations as little foreseen by himself as they are by his readers. The knight, who seems to have been originally intended for a parody of the Amadis, becomes...love for whatever is noble and good, that we feel almost the same attachment to him that the barber and the curate did, and are almost as ready as his... | |
 | Evert Augustus Duyckinck - 1866 - 1010 strani
...a parody of the Amodis, becomes gradually a detached, separate, and wholly independent petf-onnge, into whom is infused so much of a generous and elevated...love for whatever is noble and good, that we feel almost the same attachment to him that the barber and the curate did, and are almost as ready as his... | |
 | Charles Walton Sanders - 1862 - 610 strani
...much at possible in the front of his scene. 7. The knight becomes gradually a detached, separate, anc wholly independent personage into whom is infused...love for whatever is noble and good, that we feel almost the same attachment to him that the barber and the curate did, and are almost as ready as his... | |
 | Charles Walton Sanders - 1876 - 622 strani
...personages. He delights, therefore, to have them as much as possible in the front of his scene. 7. The knight becomes gradually a detached, separate, and wholly...love for whatever is noble and good, that we feel almost the same attachment to him that the barber and the curate did, and are almost as ready as his... | |
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