Tolstoy: The Inner DramaJ. Cape, 1927 - 320 strani |
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Zadetki 1–3 od 17
Stran 172
... Levin is the medium through whom these two voices speak . He is conscious of the antagonisms in his nature to a greater degree than either Pierre or Prince Andrew , and he seeks even in his later Christianity a more practical solution ...
... Levin is the medium through whom these two voices speak . He is conscious of the antagonisms in his nature to a greater degree than either Pierre or Prince Andrew , and he seeks even in his later Christianity a more practical solution ...
Stran 183
... Levin , neither the one nor the other had any doubt about the meaning of the pheno- menon . As a proof that they understood what it meant , they were never under an uncertainty as to what to do with the dying and were not afraid of them ...
... Levin , neither the one nor the other had any doubt about the meaning of the pheno- menon . As a proof that they understood what it meant , they were never under an uncertainty as to what to do with the dying and were not afraid of them ...
Stran 186
... Levin knows this when he says - ' without the idea of a God we cannot build up anything . ' But he fails to dis- tinguish an idea from a feeling . A conception of what is good or evil is essential to a really creative life , and thought ...
... Levin knows this when he says - ' without the idea of a God we cannot build up anything . ' But he fails to dis- tinguish an idea from a feeling . A conception of what is good or evil is essential to a really creative life , and thought ...
Vsebina
PROLOGUE | 13 |
THE ELEMENTS OF CONFLICT | 29 |
THE ANTAGONISMS DEFINED | 73 |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
accepted achieve admit animal Anna Karenina appetites artist beauty Beethoven body Caucasus ceased characters Christ's teaching Christianity Church civilization claimed conception Confession conflict conscience consciousness Cossacks creative criticism death denial deny desire dream Edward Garnett egotism elements enslaved evil exist experience expressed fact fact of death faith false fear feeling felt forces girl Hadji Murad happiness harmony hated hatred horror human ideal impulse individual inevitably innocence instincts intelligence intense justify Kreutzer Sonata labour later Levin life-conception live marriage Maryanka meaning ment mental merely mind modern moral Natasha nature never passions peace peasant perception perfect physical Pierre pleasure possessed Pozdnyshev primitive Prince Andrew rational reality realize reason relation religion religious Russia Sebastopol seek seemed sensation sense sensual sentimental Shakespeare society soul spiritual struggle thing thought tion Tolstoy's true truth virtue War and Peace whole woman women writing Wyndham Lewis Yasnaya Polyana