Tolstoy: The Inner DramaJ. Cape, 1927 - 320 strani |
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Zadetki 1–3 od 12
Stran 159
... Prince Andrew represented , to be taken into account . And it was the Prince Andrew in him which ultimately converted the vague agitations , embodied in Pierre , into a hatred of the senses and even of such a ' virtuous ' indulgence of ...
... Prince Andrew represented , to be taken into account . And it was the Prince Andrew in him which ultimately converted the vague agitations , embodied in Pierre , into a hatred of the senses and even of such a ' virtuous ' indulgence of ...
Stran 162
The Inner Drama Hugh I'Anson Fausset. Prince Andrew perfectly enunciates the negative argu- ment against the ' good - natured fussy shallowness ' of sentimental reformers . ' Why raise the peasant from his animal condition ? ' he asks ...
The Inner Drama Hugh I'Anson Fausset. Prince Andrew perfectly enunciates the negative argu- ment against the ' good - natured fussy shallowness ' of sentimental reformers . ' Why raise the peasant from his animal condition ? ' he asks ...
Stran 166
... Prince Andrew nor Pierre really solve the problem which Tolstoy formulated in their persons . Both remain divided beings . Pierre seeks escape from his discontent in vague mystical dreams or conventional domesticity . Prince Andrew ...
... Prince Andrew nor Pierre really solve the problem which Tolstoy formulated in their persons . Both remain divided beings . Pierre seeks escape from his discontent in vague mystical dreams or conventional domesticity . Prince Andrew ...
Vsebina
PROLOGUE | 13 |
THE ELEMENTS OF CONFLICT | 29 |
THE ANTAGONISMS DEFINED | 73 |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
accepted achieve admit animal Anna Karenina appetites artist beauty Beethoven body Caucasus ceased characters Christ's teaching Christianity Church civilization claimed conception Confession conflict conscience consciousness Cossacks creative criticism death denial deny desire dream Edward Garnett egotism elements enslaved evil exist experience expressed fact fact of death faith false fear feeling felt forces girl Hadji Murad happiness harmony hated hatred horror human ideal impulse individual inevitably innocence instincts intelligence intense justify Kreutzer Sonata labour later Levin life-conception live marriage Maryanka meaning ment mental merely mind modern moral Natasha nature never passions peace peasant perception perfect physical Pierre pleasure possessed Pozdnyshev primitive Prince Andrew rational reality realize reason relation religion religious Russia Sebastopol seek seemed sensation sense sensual sentimental Shakespeare society soul spiritual struggle thing thought tion Tolstoy's true truth virtue War and Peace whole woman women writing Wyndham Lewis Yasnaya Polyana