Tolstoy: The Inner DramaJ. Cape, 1927 - 320 strani |
Iz vsebine knjige
Zadetki 1–3 od 11
Stran 296
... Shakespeare's characters may be said to lack a distinctive ' individuality of language ' only in so far as they are ... Shakespeare's characters he would only admit that Falstaff possessed individuality , and he complained that he was a ...
... Shakespeare's characters may be said to lack a distinctive ' individuality of language ' only in so far as they are ... Shakespeare's characters he would only admit that Falstaff possessed individuality , and he complained that he was a ...
Stran 298
... Shakespeare's style and characters he betrayed the same physical limitations which governed him as an artist . He preferred the older play to Shakespeare's ' King Lear ' because it was naturalistic , and wholly free from the ...
... Shakespeare's style and characters he betrayed the same physical limitations which governed him as an artist . He preferred the older play to Shakespeare's ' King Lear ' because it was naturalistic , and wholly free from the ...
Stran 299
... Shakespeare ; he could only judge him on a practical and interested basis , and so his conclusion was that ' the ... Shakespeare any moral value at all . And by this denial he betrayed more clearly perhaps than by any other the defects ...
... Shakespeare ; he could only judge him on a practical and interested basis , and so his conclusion was that ' the ... Shakespeare any moral value at all . And by this denial he betrayed more clearly perhaps than by any other the defects ...
Vsebina
PROLOGUE | 13 |
THE ELEMENTS OF CONFLICT | 29 |
THE ANTAGONISMS DEFINED | 73 |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
accepted achieve admit animal Anna Karenina appetites artist beauty Beethoven body Caucasus ceased characters Christ's teaching Christianity Church civilization claimed conception Confession conflict conscience consciousness Cossacks creative criticism death denial deny desire dream Edward Garnett egotism elements enslaved evil exist experience expressed fact fact of death faith false fear feeling felt forces girl Hadji Murad happiness harmony hated hatred horror human ideal impulse individual inevitably innocence instincts intelligence intense justify Kreutzer Sonata labour later Levin life-conception live marriage Maryanka meaning ment mental merely mind modern moral Natasha nature never passions peace peasant perception perfect physical Pierre pleasure possessed Pozdnyshev primitive Prince Andrew rational reality realize reason relation religion religious Russia Sebastopol seek seemed sensation sense sensual sentimental Shakespeare society soul spiritual struggle thing thought tion Tolstoy's true truth virtue War and Peace whole woman women writing Wyndham Lewis Yasnaya Polyana