Tolstoy: The Inner DramaJ. Cape, 1927 - 320 strani |
Iz vsebine knjige
Zadetki 1–3 od 30
Stran 43
... accepted the lordship of death . There is a sense in which such an acceptance is vital to a complete perception of and submission to reality . But the characters in whom Tolstoy depicted this release accepted death passively . They ...
... accepted the lordship of death . There is a sense in which such an acceptance is vital to a complete perception of and submission to reality . But the characters in whom Tolstoy depicted this release accepted death passively . They ...
Stran 85
... accepted their natures as they accepted life instead of try- ing to better them , and by this very acceptance they achieved a poise , however limited , which Tolstoy lacked . It was a consciousness of this which explains the strange ...
... accepted their natures as they accepted life instead of try- ing to better them , and by this very acceptance they achieved a poise , however limited , which Tolstoy lacked . It was a consciousness of this which explains the strange ...
Stran 289
... accepted and intelligible , nothing but that which was universally accepted and intelligible was art at all . And his standard of the universally accepted and intelligible was governed by his own prejudice .. To prove this we may ...
... accepted and intelligible , nothing but that which was universally accepted and intelligible was art at all . And his standard of the universally accepted and intelligible was governed by his own prejudice .. To prove this we may ...
Vsebina
PROLOGUE | 13 |
THE ELEMENTS OF CONFLICT | 29 |
THE ANTAGONISMS DEFINED | 73 |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
accepted achieve admit animal Anna Karenina appetites artist beauty Beethoven body Caucasus ceased characters Christ's teaching Christianity Church civilization claimed conception Confession conflict conscience consciousness Cossacks creative criticism death denial deny desire dream Edward Garnett egotism elements enslaved evil exist experience expressed fact fact of death faith false fear feeling felt forces girl Hadji Murad happiness harmony hated hatred horror human ideal impulse individual inevitably innocence instincts intelligence intense justify Kreutzer Sonata labour later Levin life-conception live marriage Maryanka meaning ment mental merely mind modern moral Natasha nature never passions peace peasant perception perfect physical Pierre pleasure possessed Pozdnyshev primitive Prince Andrew rational reality realize reason relation religion religious Russia Sebastopol seek seemed sensation sense sensual sentimental Shakespeare society soul spiritual struggle thing thought tion Tolstoy's true truth virtue War and Peace whole woman women writing Wyndham Lewis Yasnaya Polyana