Tolstoy: The Inner DramaJ. Cape, 1927 - 320 strani |
Iz vsebine knjige
Zadetki 1–3 od 46
Stran 145
... artist and a man , but although in theory all was ' ready for the new life , ' in practice ' it did not make its ... artistic expression . K $ 3 War and Peace , which occupied Tolstoy from 52 145 PRELUDE TO BATTLE.
... artist and a man , but although in theory all was ' ready for the new life , ' in practice ' it did not make its ... artistic expression . K $ 3 War and Peace , which occupied Tolstoy from 52 145 PRELUDE TO BATTLE.
Stran 278
... artist expressed . In this sense Tolstoy wrote truly enough - " The chief peculiarity of this feeling ( e.g. artistic ) is that the recipient of a true artistic im- pression is so united to the artist that he feels as if the work were ...
... artist expressed . In this sense Tolstoy wrote truly enough - " The chief peculiarity of this feeling ( e.g. artistic ) is that the recipient of a true artistic im- pression is so united to the artist that he feels as if the work were ...
Stran 284
... artist has experienced . ' But it is moral only on an elementary plane . And it is strange that Tolstoy who attacked the motives of pride and sex in the upper classes and their exploitation of patriotism and war , should have ...
... artist has experienced . ' But it is moral only on an elementary plane . And it is strange that Tolstoy who attacked the motives of pride and sex in the upper classes and their exploitation of patriotism and war , should have ...
Vsebina
PROLOGUE | 13 |
THE ELEMENTS OF CONFLICT | 29 |
THE ANTAGONISMS DEFINED | 73 |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
accepted achieve admit animal Anna Karenina appetites artist beauty Beethoven body Caucasus ceased characters Christ's teaching Christianity Church civilization claimed conception Confession conflict conscience consciousness Cossacks creative criticism death denial deny desire dream Edward Garnett egotism elements enslaved evil exist experience expressed fact fact of death faith false fear feeling felt forces girl Hadji Murad happiness harmony hated hatred horror human ideal impulse individual inevitably innocence instincts intelligence intense justify Kreutzer Sonata labour later Levin life-conception live marriage Maryanka meaning ment mental merely mind modern moral Natasha nature never passions peace peasant perception perfect physical Pierre pleasure possessed Pozdnyshev primitive Prince Andrew rational reality realize reason relation religion religious Russia Sebastopol seek seemed sensation sense sensual sentimental Shakespeare society soul spiritual struggle thing thought tion Tolstoy's true truth virtue War and Peace whole woman women writing Wyndham Lewis Yasnaya Polyana